. Having read both Hughes and Kerouac this semester in my American novel class, her exploration of how music was central to their poetry was interesting.The other three presentations were by students from Bishop's who commented upon Zora Neal Hurston's Their Eyes Were Watching God
and Kurt Vonnegut's Bluebeard: A Novel (Delta Fiction)
. The first presenter reviewed the role of patriarchy in the life of the main character, Janie, of Their Eyes Were Watching God. Janie is a young black woman who had been raised by her grandmother. After being "put on the marriage auction block" at the age of sixteen by her grandmother, she reluctantly marries Logan, an older man. He expects her to do heavy work on his farm, seeing her more as a farmhand than a wife, so she runs off with Jody. Once again she finds herself in a patriarchal relationship; Jody, the newly elected town mayor, wants her to be a trophy wife. After being widowed, she falls in love with a vagabond, "Tea Cake" and finally finds an equal, although imperfect, marriage.The second applied the framework of feminist psychoanalyst Nancy Chodorow to both Hurston's and Vonnegut's novels. Based on Freud's Oedipus Complex, Chodorow expands the theory so that for both girls and boys the mother is the first love. Hence, for males, the love for the mother is therefore replaced by the love for the wife, but for women, they can never truly love a man, so their love for the mother is replaced by the love of a child. The presenter then revealed the how this theory was upheld in the novels and also how it was unreliable.
Lastly, the third of these presentations concerned autobiography's importance in the novel. In Their Eyes Were Watching God, the narrative is orally transmitted to the protagonist's best friend, Pheoby, whereas Vonnegut writes Bluebeard as the fictional autobiography of the fictional painter, Rabo Karabekian. In Bluebeard the writing style is affected as he experiences the events he writes about. The presentation explored the differences in style and influence that these fictional "pretending to be" autobiographies had.
One of the other students from Laval spoke about murder in Hamlet and MacBeth. The other four students from Laval spoke on American works. Jonathan considered the change of Henry Fleming's identity throughout Stephen Crane's novel The Red Badge of Courage. Simon revealed how "Ragged Dick" denied his true selfhood while pursing American Dream in Horatio Alger's children's book Ragged Dick. And Jenny spoke on Nathaniel Hawthorn's transcendental tendencies (rather than the common Puritan beliefs of his era) in his own life and in his novel The Scarlet Letter. Lastly Kathleen used PowerPoint slides to show Jacob Riis' influence on modern-day photojournalism, especially through his work How the Other Half Lives (referring to the poor of New York City).
Although, as you can tell, it was a very intellectual weekend (Jenny called it the most intellectual weekend in her life), we had soooo much fun! It was great getting to know each other better.
